Reviews

Dream Wife: punk rock power

The phrase “dream wife” seems like something straight out of an advert from the fifties, conjuring an outdated ideal that equates femininity with domesticity....

The Dangerous Summer: wild again

When cult-status bands reunite, it can go one of two ways. They can tread the same path: this is typically met with a fleeting...

Richard Alston’s Dance Company was “truly breath-taking”

Richard Alston's Dance Company is a UK based contemporary dance company that tours the country with a truly breath-taking repertoire of performances. They have...

UEA Drama Soc’s The Effect “makes a lasting impression”

I’m going to begin with an embarrassing disclaimer: I really don’t enjoy plays. Apart from the odd panto as a kid and a school...

Molly’s Game: the gamble pays off

Molly’s Game is the vivacious directorial debut from Aaron Sorkin (the writer of The Social Network, Steve Jobs and The West Wing), and is...

No reflection from a…

Created by the brilliantly inventive polemicist Charlie Brooker, the anthology show Black Mirror has returned to Netflix for a fourth series. Retaining its theme...

Venue’s hot shows of 2018

flash.pro, flickr
Doctor Who "As much as the show’s excellent Christmas Special may have made some wistful for a few more episodes of the Moffat/Capaldi era, especially...

Witchy winners: Youth theatre ‘Lords and Ladies’ is enchanting

Lords and Ladies debuted this week at Norwich’s Theatre Royale, a farcical youth production based on the 1992 novel by Terry Pratchet. The play...

Venue Editors

Venue Editor: Kate Romain

Headshot Tom Bedford. Credit to Sylvie Tan

Venue Deputy Editor: Tom Bedford

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